Jamaican architecture

architecture, architecture design, green design architect, Jamaican architecture, Sustainable architecture, Tropical architecture

Passive Design Strategies

What role can Passive Design Strategies play in addressing our climate concerns? Sustainability concerns are increasingly prominent in today’s society. This becomes especially crucial when we take into account the effects of the worldwide climate emergency. The World Bank states: No country is immune to the impacts of climate change, but the world’s poorest countries will bear the greatest burden. Over the last decade, they have been hit by nearly eight times as many natural disasters, compared with three decades ago, resulting in a three-fold increase in economic damage. The consumption of fossil fuels play a crucial role in the worsening problem of global warming. According to Architecture 2030, “The built environment generates over 40% of annual global greenhouse emissions.” The alarming statistic reinforces the necessity for architects and engineers to pioneer design solutions that are environmentally sustainable. Passive Design Strategies is a prime illustration of such an approach. Pragya Sharma defines Passive Design Strategies as: Passive design strategies refer to a set of design approaches that focus on utilising the natural environment to provide heating, cooling, ventilation, and lighting to a building. Unlike active design strategies that rely on mechanical systems and processes, passive design strategies depend on the laws of nature. Passive design strategies aim to create a comfortable and energy-efficient indoor environment while minimising the use of mechanical systems and reducing the building’s energy consumption. They take advantage of the climate, site conditions, and materials to create a building that functions in harmony with the environment. Why Passive Design Before delving into Passive Design Strategies, it is important to reflect on the past. Passive Design Strategies have been in existence for a considerable period. Prior to the modern technological advancements, individuals relied on their understanding of climate and surroundings to construct buildings. This is evident in the architectural styles of traditional buildings in diverse climatic regions. A traditional dwelling in a hot and arid location will differ from one in a hot and humid area. In an arid environment, the main purpose of the building is to block heat and dust during the day. The building also allows heat to enter during the chilly nights. Conversely, in a humid environment, the goal of the building is to maximise airflow into the interiors. Hot and Dry Climate In arid and warm climates, openings are kept small to prevent the entry of hot, dry desert air. These openings are strategically positioned higher up, where hot air accumulates, allowing for natural ventilation through convection. The thick mass walls of the buildings act as a barrier against heat conduction from the exterior to the interior. Instead, these walls absorb heat during the day and emit it through radiation at night, warming the interior space. Hot and Humid Climates In a humid climate, structures features deep overhangs and shaded verandahs to minimise heat absorption by the building surfaces. Moreover, the windows are larger and operable, allowing for adjustment to control airflow. The extensive overhangs and verandas also act as a shield against rain and safeguard the window openings. Lastly, the roof design is a key element to consider. Buildings in hot and humid climates often feature sloped roofs for a specific purpose. This design allows the structure to effectively shed storm water. Additionally, the high roofs and ceilings help to redirect hot air away from the occupied areas. High level vents expel hot air by a convection process that draws in cooler air through window openings. Elevating the building above the ground serves multiple functions. These include: capturing higher winds, preventing flooding from heavy rains, and facilitating the circulation of cool air through the floorboards. Benefits of Passive Design Strategies Humans relied on passive design strategies to control indoor temperatures long before the invention of mechanical heating and cooling systems. The significance of these strategies has only grown over time. EDS Global suggests implementing a three-tiered building design approach that emphasises Passive Design Strategies. EDS Global (Environmental Design Solutions Limited) states that incorporating Passive Design Strategies can lead to a significant decrease in a building’s energy requirements. Fundamental design principles can lead to about a 50% decrease in the reliance on active cooling systems, and the integration of passive cooling methods in warm climates can further reduce the need for mechanical systems by 20%. Further benefits of implementing Passive Design Strategies include:  Passive Design Strategies Form & Orientation One of the primary passive design strategies focuses on the orientation and form of a building. A building’s orientation is crucial as it affects the building’s interaction with environmental elements like the wind. Generally, the ideal orientation for a building is to have its longest sides facing north and south. Managing the sun’s impact from the north or south is much easier than controlling the western or eastern facades. The shape of a building is a key factor in Passive Design. In humid tropical, enabling natural airflow is vital in these regions, resulting in specific building forms outperforming others. Long and narrow building footprints are typically recommended for hot and humid climates. Shading & Glazing In hot climates, shading also plays a crucial role in regulating a building’s thermal comfort. In humid climates preventing solar heat gain by shading the building’s skin can result in a significant reduction in the need for mechanical cooling. This is illustrated in traditional tropical architecture by the use of various shading devices such as verandas and overhangs. The shading of glazed openings is also of critical importance to the reduction of solar heat gain. Glass is an important building material in today’s society. Glass allows light in and views out of a building, however, light from the sun also carries heat which is transferred to a building’s interior through glass via radiation.  The sun’s radiation passes through in short wavelengths, which are absorbed by the objects in the living space. These objects then emit heat in longer infrared wavelengths which cannot pass through glass which causes the infra-red radiation to be trapped within the space and can

architecture, architecture design, green design architect, Jamaican architecture, Sustainable architecture, Tropical architecture

The Value of Architects

Building is complicated and expensive. Building is complicated and expensive; unsurprisingly, only some people realise how complicated it is to undertake a construction project. People find the process daunting without proper guidance due to various design options, building codes, and so on. Undoubtedly, architects are professionals to assist in the construction. The value of architects is that they have the education, training, and vision to guide you through the design and construction process. Architects are the best suited to help you bring your project to life. One of the biggest mistakes a potential client of an architect can make is to ask the architect, “How much do you charge to draw some plans/blueprints?” Architects provide a professional service; although construction drawings are part of an architect’s services, they are a small percentage of an architect’s services. Rather than only producing drawings, architects create total environments: interiors and exteriors that satisfy functional needs. Architects create exciting and dynamic spaces in which to work and live. Architects see the big picture. You pay an architect for the ability to see many different aspects of a building project. The architect can integrate the client’s needs with the various elements of a single project, such as the material and spatial constraints, the schedule, cost, etc. Architects can bring a global vision to the highly complex process of building. An architect will guide you through the regulatory process, help secure all necessary planning and building requirements, help you select the right builder for your project, and supervise the build through completion, ensuring the finished product matches the design intent. Architects ensure the quality of the construction and the value of your financial investment. The value of an architect goes beyond drawing and design skills. The right architect can ensure that your project is constructed efficiently and economically. Architects help plan your projects with you, ensuring you’re satisfied with the design objectives before setting out for construction.

green design architect, Jamaican architecture, Sustainable architecture, Tropical architecture

Situating Modern Architecture in the Tropical Caribbean

Cultural expression, and cultural productions played a critical role in the formulation and evolution of a Caribbean identity on the route to self-governance and sovereignty (Raymond, 2013). It expression was seen as a reaction, and a dismissal of the colonial ideology and its associated structure. Cultural production of the period sought the affirmation of an identity, local to the Caribbean; and sought its expression in themes to be found in Caribbean literature, theatre, dance and folks culture at the time. The tenets of modern architecture in the 1950’s and onwards, and its eventual pervasion throughout the Caribbean, was initially through the works of the first generation of local architects, who were educated overseas and returned to the Caribbean in the 1950’s and 1960’s, and brought with them the aesthetic doctrines of modernism and tropical modernism. According to Raymond (2013), tropical modernism expressed an appropriate means of deploying an architectural language that was universal and modern, but at the same time, sensitive to the realities of life in the tropical belt. However, tropical modernism did not effectively address the ideas of the local or regional beyond the mediation of climate (Raymond, 2013). Essentially, the rhetoric of architectural production of the mid 90’s did not wholly address the notion of Caribbean identity. Tropical Architecture The Caribbean and the wider tropical geographical region is subsumed in a multiplicity of sorts. The Caribbean in particular, is layered with multiple realities and subjectivities. Stagno (2001) tells us that the sensuality that pervades the atmosphere infiltrates the intellect of the tropics and influences reasoning, pointing to a way of thought dissimilar to that of Occidental cultures. The tropics, and the Caribbean in particular is the consequence of a hybridisation of multiplicities: a colonised territory in which the incoming occidental mode of thought only partially transformed the existing culture. Stagno (2001) further states that the primary mode of thought of the occidental empires, which centred on the consideration one’s being, cogito, ergo sum, cannot hold firm ground in the region of the tropics, where the primary mode of thought is relational. The arrival of modernist ideologies in the Caribbean, though initially conceived as a pursuit towards the global and universal, was inevitably filtered through the lenses of the tropical context, consequently creating a tropicalist architecture. The Growth of Tropical Architecture Tropical architecture has traditionally been taken to mean an architecture adapted to the tropical climate. However, after the Second World War, some architects building in the tropics started to view this definition in a critical manner and rethink its limited and narrow scope. They began to conceive of architecture not only in terms of sun shading and ventilation devices, but also as an extension of the mind, a cognitive tool, that expressed the values of a particular people and time in the way that film, art and music do. This critical rethinking is what distinguishes…a mere tropical architecture from a tropicalist one. (Lefaivre, Tzonis & Stagno. 2001) The work of Wilson Chung articulated an architectural expression, founded through the terms of modernity (Pigou-Dennis, 2017) and adapted to the Jamaican locality. Through his work, Chung sought to address the issues of climate, technology, social housing and Jamaican identity on a global scale. Marvin Goodman eschewed placelessness in favour of a sensitivity to tropical climatic themes at the residential scale and H.D. Repole investigated the integration of public concerns through the implantation of liveable streetscapes (Lawton, 2005). Stagno (1997) tells us that an architecture for [the tropics] is an architecture that is above all, an architecture of adaptation in which recognition of the importance of the natural and built environment is crucial. Local lifestyles and available resources are also key components to this architectural language as well as a crucial consideration of tropical thought, a tropical way of being; and in the context of the Caribbean, a way of being imbued with the multiplicities of Caribbean space and thought. Conclusion For the Caribbean, modern architecture represented the opportunity to enter a dialogue on a global scale, to demonstrate technological advancement — a signal of the Caribbean’s participation in universal culture (Raymond, 2005). However, the realities of Caribbean space meant that the tenets of modernity, with its roots in Cartesian though, could not be simply imported to Caribbean space, whether intentional or not. The sensualism of tropical space, as Stagno (2001) states, refuses to acknowledge the cogito ergo sum, and posits Alejo Carpentier’s statement in opposition to Cartesian logic: we feel therefore we exist. This mode of being in effectively transfigured the concepts of modernity, consequently producing a modernism that was at the same time local and global. Bibliography Barahona, R. (n.d.). Space Tropics Sensuality. In III Encuentro de Arquitectura, Urbanismo y Paisajismo Tropical (pp. 85-101). San Jose: Instituto de Arquitectura Tropical. Glissant, E., & Wing, B. (2010). Poetics of relation. Ann Arbor: The University of Michigan Press. Lawton, J. (2005). Social and public architecture in Kingston, Jamaica. Docomomo, (33), 58-63. Pearce, M. (2012, July). Architecture of Independence Colin Laird and the Building of a Nation. Retrieved from http://arcthemagazine.com/arc/2012/07/architecture-of-independence-colin-laird-and-the-building-of-a-nation/ Pigou-Dennis, E. (2017). Island Modernity: Jamaican Urbanism and Architecture, Kingston, 1960-1980. Urban Island Studies. Retrieved from http://www.urbanislandstudies.org Raymond, M. (2005). Modern Trinidad Outlined and the Works of Colin Laird and Anthony Lewis. Docomomo, (33), 64-70. Raymond, M. (2013, February). Architecture, Independence, and Identity in the Commonwealth Caribbean. Retrieved from http://smallaxe.net/sxsalon/discussions/architecture-independence-and-identity-commonwealth-caribbean Stagno, B. (1997). Arquitectura para una latitud. Mexico, D.F: Menhir Libros. Stagno, B., Lefaivre, L., & Tzonis, A. (2001). Tropical architecture: Critical regionalism in the age of globalization. Chichester: Wiley-Academy.

Scroll to Top